LAVA Sunday Salon extras: Nathan Marsak on “L.A. Noire”
Architectural historian Nathan Marsak talked about L.A. Noire at the LAVA Sunday Salon, prior to his walking tour (May 29, 2011). See the video here.
Architectural historian Nathan Marsak talked about L.A. Noire at the LAVA Sunday Salon, prior to his walking tour (May 29, 2011). See the video here.
Special program at the May 29, 2011 Salon:
• Artist / musician and LAVA Visionary Rich Polysorbate 60 was born five years after the shipwreck of the S.S. Dominator off Palos Verdes. The wreck served as his tree fort and nautical womb. He would hallucinate and dream about fusing as one with it. The Dominator would feed him memories and stories related to those who died on it after it split in half and was scattered among the rocks. Rich will be on hand today to share mementos and clues in the way of a film/poetry presentation with live theremin accompaniment from Paul Wilkins (PWE/Clowns and Fetuses).
• LAVA co-founder Richard Schave hosts a discussion on the history of The United Lodge of Theosophy, a unique Los Angeles institution. The forces that impacted founder Robert Crosbie from his arrival in 1911, and how he and his brethren shaped their spiritual and educational environment over the decades, are a fundamental narrative of the city. Theosophy, like Los Angeles, straddles two kingdoms, the finite and the infinite, imbued with fascinating contradictions: love, wealth, greed, power and release. Victoria Prinz is a member of the ULT, and she’ll take some of these themes as a starting point for this discussion on the extraordinary legacy of the ULT in Los Angeles.
This Esotouric tour focuses on Bukowski’s great passions: writing, screwing and Los Angeles. We’ll take in the canonical locations of his life and myth: the Postal Annex Terminal where he gathered the material for “Post Office,” the De Longpre apartment where he briefly experimented with marriage and fatherhood, one of his favorite bars and liquor stores, and many other spots. Along the way, we’ll explore the people and ideas that made up the warp and weft of Buk’s rich inner life. This Esotouric bus adventure is hosted by Richard Schave.
“Haunts of a Dirty Old Man: Charles Bukowski’s LA” spans Bukowski’s personal city, from Skid Row to once-genteel Crown Hill, to Bukowski’s favorite East Hollywood liquor store, the Pink Elephant.
Esotouric has made its name with true crime bus tours (Black Dahlia, Pasadena Confidential) and explorations of literary LA (Raymond Chandler, John Fante, James M. Cain). Now they turn their creative attentions to Bukowski, the prolific poet, novelist and screenwriter whose rough-hewn tales of boozing, wild women and rotten jobs never obscure the deep vein of sweetness and hope that runs through all his work. In one of his finest poems, he described this as a bluebird he kept caged, and that bluebird is been represented in the Bukbird, a pale blue version of his beloved alcoholic crow character, represented by a logo created by cartoonist Tony Millionaire exclusively for this tour. The Bukbird is available on T-shirts, beer coasters and fine art prints by plasticmuse.
For more info, see this short film on the landmarking of Bukowski’s former bungalow on De Longpre.
“I learned to drive in order to read Los Angeles in the original” -Reyner Banham, Architecture of Four Ecologies
This provocative Esotouric bus adventure begins downtown and works its way south through Vernon, Bell Gardens, Santa Fe Springs and Downey, and through the past two centuries, exploring some of L.A.’s seldom-seen gems. Turning the West Side-centric notion of an L.A. architecture tour on its head—just like Banham’s book did for the historical monograph – the bus goes into areas not traditionally associated with the important, beautiful or significant, raising issues of preservation, adaptive reuse and the evolution of the city. The locations all speak to the power, mutability and reach of the Southern California Dream. Some of the tour stops are:
Rancho San Antonio (1808). One of the oldest adobe structure in Los Angeles County, it was built by the Lugo family, whose rancho spread all the way to South Gate–the south gate of the property. This fascinating home sits smack dab in the middle of a 65-year-old trailer park on the banks of the Rio Hondo River in Bell Gardens. Between the layers of context at this site is the history of migration and growth in the Southland, from Spanish land grants to the dust bowl to the vast waves of stucco suburbs.
The Clarke Estate (1920). A lost masterpiece by tilt-slab concrete architect Irving Gill, this Mission Revival-inspired dwelling features symbolic leaves pressed into the walls and feels like a time capsule from a simpler California.
Johnie’s Broiler (1958/2008). A cautionary tale about historic preservation, this beloved Downey diner with its landmark neon sign was illegally demolished by a renter who wanted to park use cars in its place. The site was barred from further commercial use due to public outcry, and is now being restored as a Bob’s Big Boy.
No other city has so fascinated architecture critics and scholars of urban and cultural studies than L.A., that sprawling, self-referential zone of mystery and glamour. British writer Reyner Banham was the first to love Los Angeles for what she was, her ugliness as well as her beauty. In the early 1970s he abandoned his academic preconceptions to revel in this city of freeways, foothills, beaches and suburbs, built on mobility and flux by a series of invaders. Along the way, he discovered extraordinary spaces in neighborhoods that were often overlooked for being too remote, too industrial, or simply occupying invisible “flyover country” beneath the great L.A. freeways.
In this city on the edge of the western dream, nothing was like what came before. Status was no longer communicated through the construction of stone palaces that looked like they fought every step of the journey over the Rocky Mountains, but rather by freeway access and wacky drive-thrus, light, ventilation, organic design and a sensitivity to a built environment— commercial and architectural innovations which would have been unthinkable anywhere and anytime else.
Gone was the unified vision of a city, and yet there was a method to L.A.’s madness. What Banham saw was something far more complicated: behind this urban sprawl was a pattern, almost a language, which could not be understood through old modes of architectural and urban criticism, but which had to be viewed through the organic facts of its own ecologies.
Esotouric guides Richard Schave and Kim Cooper studied under Banham as undergraduates at UCSC, and both were deeply influenced by his work. In Fall 2007, we launched the “Reyner Banham Loves Los Angeles” architectural series in tribute to our late professor, who showed us our native Southern California through fresh eyes.
ABOUT REYNER BANHAM: Reyner Banham(1922-1988) was a prolific architectural critic best known for “Theory and Design in the First Machine Age” (1960) and “Los Angeles: The Architecture of Four Ecologies” (1971). Professor Banham taught at the University of London, SUNY Buffalo and the University of California, Santa Cruz, where he was Chair of the Art History Department.
Esotouric’s “Reyner Banham Loves Los Angeles” tours each explore themes of industry, infrastructure, architecture and the built environment.
In this third installment in our ongoing architecture series, we explore California’s Mother Road and the building of its dream. The dream manifests at the turn of the 20th century as we explore how the climate was sold, the growth of the citrus industry and Tuberculosis hospitals. Then come the programmatic roadside architecture of the 1920s and 1930s and postwar V-8 visions fueled by gasoline and good climate (too bad you can’t run an engine on it).
The Reyner Banham tour series is dedicated to revealing greater L.A.’s infrastructure, history, the built and natural environment, transportation corridors, drive-ins, attractions and oddities.
This tour will focus on the built environment along the Mother Road with an emphasis on old and historic alignments of Route 66 as well as signage.
Highlights of the Route 66 tour include:
E. Wald Ward Farm. Purveyors of fine preservatives and other delicacies. We will visit the barn store of this venerable Sierra Madre citrus family which has been in business of producing and selling the highest quality preserves from their orchards since 1918. We will tour the orchard and hear more about the history of this family from 4th generation member, Jeff Ward.
Aztec Hotel. Though really Mayan in decoration, this 1924 Robert Stacy Judd-designed gem in the San Gabriel Valley’s crown is becoming the place again to get your kicks. Judd’s buildings in Southern California were an important influence on Frank Lloyd Wright’s Mayan houses.
The McNeil & Vosberg Residences (The Feuding Slauson Sisters of Azusa). A hidden gem of Azusa lore, and family dynamics. It also serves as a reminder of the fragility of ecologies to the incessant crush of progress.
Fairmount Cemetery, a remote and fascinating Civil War-era hillside burial ground.
This four hour tour will include a complimentary coffee and cookies stop in the early afternoon. We recommend bringing a bag lunch as well. Please note: comfortable walking shoes recommended. One of our shorter tour stops takes us over slightly rugged ground, and less agile passengers may prefer to remain on the bus.
Reyner Banham Loves Los Angeles Tour Overview page
On the last Sunday of each month, LAVA welcomes interested individuals to gather on the third floor of the historic Clifton’s Cafeteria in Downtown Los Angeles (noon-2pm), for a loosely structured conversational Salon featuring short presentations and opportunities to meet and connect with one another. If you’re interested in joining LAVA as a creative contributor or an attendee, we recommend Salon attendance as an introduction to this growing community. We also recommend the shortbread.
Special program at the July 31 Salon (additional programs may be added closer to Salon time):
• Preservationist, tile historian and LAVA Visionary Brian Kaiser will give a talk on Artistic Tile in Southern California. The main body of the presentation is a slide tour of the house that Rufus Keeler built for himself in South Gate in 1924. Mr. Keeler was founder, plant manager, and sole ceramist of the Calco (1923-1932) and Malibu potteries (1926-1932). His house is tile from start to finish, and was made from Calco Tile, a pottery that preceded Malibu Tile. Meant to be a showcase for the use of clay products in home construction and decoration, the house still stands as a magnificent example of one of the finest ceramists in all of California during the 1920s and 1930s.
• LAVA Visionaries Maja D’Aoust, Librarian at the Philosophical Research Society and host of the July 30 Esotouric bus adventure Maja’s Mysteries: Rapture & Release, and Rev. Paul Nugent of The Aetherius Society will host a joint presentation / conversation on the history of Los Angeles as a magnetic spiritual center: a place where people of all faiths and backgrounds have come to seek enlightenment since the turn of the last century. Maja will introduce us to some of the major esoteric groups and thinkers that have made Los Angeles their home, revealing the shared aims beneath a seemingly disparate collection of seekers. These will include The Ordo Templi Orientis (O.T.O.), Manly P. Hall and his Philosophical Research Society and The Theosophy Society, to name a few. Then Paul will give a brief history of The Aetherius Society, the spiritual organization which was brought to Los Angeles by Yoga Master and extraterrestrial contactee Dr. George King in 1959, as part of his mission to help humanity raise itself from universal suffering and ignorance. Dr. King’s initial communication with the Cosmic Master Aetherius occurred in 1954, spurring Dr. King on to found the Society in England the following year (he ran it until his death in 1997; Paul Nugent was a personal assistant to Dr. King and is a current Director of the organization’s American headquarters). Part of the work of The Aetherius Society is predicated on Prayer, and the mental direction of positive energy towards the world’s trouble spots in a manifestation of the concept that consciousness can impact objective reality. The presentation will provide an overview of the Southland’s fascinating spiritual history and ongoing role in the development of new religious thought and action.
Clifton’s Cafeteria is at 648 South Broadway, near the corner of 7th Street. There are numerous paid parking lots nearby, and the closest Metro station is Pershing Square. Clifton’s is online at https://www.cliftonscafeteria.com
IMPORTANT ANNOUNCEMENT! This month only: due to unforeseen circumstances, the LAVA Sunday Salon will not be held at Clifton’s Cafeteria, which is closed. Instead we will gather on the third floor of the Los Angeles Athletic Club, which is just two blocks west of Clifton’s, on the north-east corner of 7th and Olive Streets. For walking directions from Clifton’s Cafeteria, click here. When you enter the Athletic Club, inform the person at the desk that you are there as a guest of club member Richard Schave attending the LAVA event. They will sign you in, and send you up to the third floor. It will be possible to order light meals of sandwiches in the 8th floor snack bar, however, please note that service will be slower than at Clifton’s, and that arriving early and ordering promptly will be very helpful. We recommend parking under Pershing Square at Fifth and Olive. If you order food, the Athletic Club will validate for their parking lot.
ABOUT THE SUNDAY SALON: On the last Sunday of each month, LAVA welcomes interested individuals to gather on the third floor of the historic Clifton’s Cafeteria in Downtown Los Angeles (noon-2pm), for a loosely structured conversational Salon featuring short presentations and opportunities to meet and connect with one another. If you’re interested in joining LAVA as a creative contributor or an attendee, we recommend Salon attendance as an introduction to this growing community. We also recommend the shortbread.
Special program at the June 26 Salon (additional programs may be added closer to Salon time):
• Special guest Milt Stevens, a long time SF fan who has been a member of the Los Angeles Science Fantasy Society for a bit over fifty years, will give a presentation on this illustrious southland organization–the world’s oldest science fiction club, which for many years met right here at Clifton’s Cafeteria. Milt will give a brief history of the LASFS and discuss its current activities, with a focus on memorable anecdotes about the writers and fans who have been part of this remarkable entity.
• Back by popular demand, LAVA Visionary Gene Sculatti, outsider artist and pop culture critic (The Catalog of Cool) returns to show off the new “construction” on his newest fantasy cityscape scroll Majestic Boulevard, which has been developed in response to the daffy and inspired suggestions of January Salon attendees. New developments suggested by LAVA Visionaries include: the world HQ of Ian Whitcomb’s ITW Industries and the consulate general of Smokessylvania, submitted by Count Smokula. Gene’s pitch to virtual developers: “Come live the Jet Age California dream when you stake out a virtual half-acre along Majestic Boulevard and plan the commercial development of your dreams. Maybe it’s tiki-themed bowling alley… or a no-tell motel named after your secret crush… or the lone Victorian farmhouse left behind when progress came to town.” Six months in the works, Gene returns to the Sunday Salon to unveil the expanded scroll to the lucky “property owners.” Also on view: Untitled #1, whose theme might be ‘Imagining SoCal.’ This is a 13-inches-by-53-feet job, drawn from 1969-71, and was the last one the artist did before moving to L.A. The inspiration is mostly Southern California, and the work covers all four of Reyner Banham’s ecologies. Bonus: a portion has the experimental “smog coat” the artist devised to make it “more like L.A.” ABOUT GENE SCULATTI’S SCROLLS: Since the age of 9, Sculatti, 63, has created imaginary horizontal cities packed with fascinating details that reflect his evolving obsessions: googie signage, soaring bridges, skyscrapers, suburbs, amusement parks and much more. Join us for a rare opportunity to get close to these beautiful and strange artworks, and to hear the artist discuss his inspirations, working methods, and how the scrolls have stayed with him for more than four decades. To learn more about Gene’s cityscapes, see photos from the March 2010 Sunday Salon exhibit of Gene’s scrolls here, read Gene’s musings here, or view his work-in-progress sketches here.
Clifton’s Cafeteria is at 648 South Broadway, near the corner of 7th Street. There are numerous paid parking lots nearby, and the closest Metro station is Pershing Square. Clifton’s is online at https://www.cliftonscafeteria.com
Bungalows. Crime. Hollywood. Blondes. Vets. Smog. Death.
This was Raymond Chandler’s Los Angeles, which resonated under deft and melancholy fits from his writer’s bow.
Join Esotouric as we go down the mean streets that shaped his fiction, and that in turn shaped his hard-boiled times, in a four hour tour of downtown, Hollywood and surrounding environs: The Los Angeles Athletic Club, Musso & Frank, the Hotel Van Nuys, Paramount Studio’s gates, and much, much more, including a Chandler-themed gelato stop at East Hollywood cult favorite Scoops.
Through published work, private correspondence, screenplays and film adaptations, we trace Chandler’s search for meaning and his anti-hero Philip Marlowe’s struggle to not be pigeonholed or give anything less than all he has, which lead them both down the rabbit hole of isolation, depression, and drink.
“This [Esotouric] bus tour… has established itself as an L.A. classic.” -The Los Angeles Times
The Black Dahlia murder in 1947 is the most compelling unsolved crime Los Angeles has ever known. What Jack the Ripper is to London, the Torso Killer to Cleveland, the Black Dahlia is to L.A. And yet unlike those other cases, the name Black Dahlia refers not to the killer, but to the victim. What was it about Elizabeth Short that keeps her the object of obsessive fascination by writers, musicians, artists, filmmakers, cops and readers, more than sixty years after she was slain?
The Real Black Dahlia Crime Bus Tour seeks to answer this question by intimately exploring the last weeks of Elizabeth Short’s life, asking not “who killed her?” but “who was she?”
The tour takes us from the human hustle of Main Street to the serene lobby of the Biltmore (the second-to-last place she was seen alive), to the newspaper offices and the Greyhound station where she checked her bags, and concludes at the site where her bisected body was found in Leimert Park and with a little known suspect who lived nearby.
From the few personal possessions she left behind to the friends who scarcely knew her, from the mass hysteria of the investigation with its fruitless leads, wacko suspects and false confessions, the tour reveals all that’s known about this enigmatic black-haired girl who reinvented herself at whim, and shows how she came to be the unfortunate symbol of her time and place.