Jack H. Skirball Series \/ Los Angeles premieres<\/p>\n
Known as one of the world\u00e2\u20ac\u2122s leading restorationists of experimental and independent cinema, Ross Lipman is also an accomplished filmmaker, writer and performer whose oeuvre has taken on urban decay as a marker of modern consciousness. He visits REDCAT with a program of his own lyrical and speculative works, including the films 10-17-88<\/em> (1989, 11 min.) and Rhythm 06<\/em> (1994\/2008, 9 min.), selections from the video cycle The Perfect Heart of Flux,<\/em> and the performance essay The Cropping of the Spectacle.<\/em> \u00e2\u20ac\u0153Everything that\u00e2\u20ac\u2122s built crumbles in time: buildings, cultures, fortunes, and lives,\u00e2\u20ac\u009d says Lipman. \u00e2\u20ac\u0153The detritus of civilization tells us no less about our current epoch than an archeological dig speaks to history. The urban ruin is particularly compelling because it speaks of the recent past, and reminds us that our own lives and creations will also soon pass into dust. These film, video, and performance works explore decay in a myriad of forms\u00e2\u20ac\u201darchitectural, cultural, and personal.\u00e2\u20ac\u009d<\/p>\n In person: Ross Lipman <\/p>\n Jack H. Skirball Series \/ Los Angeles premieres Known as one of the world\u00e2\u20ac\u2122s leading restorationists of experimental and independent cinema, Ross Lipman is also an accomplished filmmaker, writer and performer whose oeuvre has taken on urban decay as a marker of modern consciousness. He visits REDCAT with a program of his own lyrical and […]<\/p>\n","protected":false},"author":116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts\/151"}],"collection":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/users\/116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":0,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts\/151\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/categories?post=151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/tags?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Curated by Steve Anker and B\u00c3\u00a9r\u00c3\u00a9nice Reynaud.<\/p>\n