{"id":73,"date":"2010-02-23T09:38:24","date_gmt":"2015-09-16T04:06:53","guid":{"rendered":""},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-30T07:00:00","slug":"gene-sculatti","status":"publish","type":"post","link":"https:\/\/www.lavatransforms.local\/2010\/02\/23\/gene-sculatti\/","title":{"rendered":"Gene Sculatti"},"content":{"rendered":"

His ticket to ride was music. Even before he went South in the mid-\u00e2\u20ac\u212270s, Gene Sculatti was a Rolling Stone<\/em> writer and weekly music columnist for the Sacramento Bee<\/em>. In Los Angeles, his interest in the workings of popular culture led to a variety of positions and assignments. Following his tenure as the first editor of the radio industry\u00e2\u20ac\u2122s premier trade paper, Radio & Records,<\/em> he served, from 1975 to 1981, as Editorial Director of Warner Bros. Records. There, reporting to Creative Services VP\u00e2\u20ac\u2122s Stan Cornyn and Derek Taylor, he was responsible for generating all of the label\u00e2\u20ac\u2122s advertising copy, administering its promotional-album series and overseeing its respected Waxpaper<\/em> and Circular<\/em> publications, in support of such artists as James Taylor, Van Halen, Rod Stewart, the Sex Pistols, George Benson, Emmylou Harris and Prince. Active on the local music scene, he also hosted L.A.\u00e2\u20ac\u2122s first dedicated punk-rock and New Wave music show, Unprovoked Attack <\/em>(KPFK-FM, 1979-80). In 1982, he exchanged Bugs\u00e2\u20ac\u2122 Burbank digs for the eye of the storm: CBS Television, Hollywood, where, through 1991, as a research executive, he evaluated test-audience response to more than 300 network pilots and made key recommendations to the programming department. During this time, he also contributed to the Los Angeles Times, Los Angeles<\/em> magazine, New West<\/em> and the L.A. Weekly.<\/em> Gene became well known at the record companies. He worked on projects for A&M, Capitol, Columbia, Elektra and Rhino Records. He packaged a variety of books on popular culture: The Catalog of Cool<\/em> (Warner Books, 1982), Popcorn<\/em> (Pocket Books, 1984) and San Francisco Nights: The Psychedelic Music Trip<\/em> (St. Martin\u00e2\u20ac\u2122s, 1985). He adapted his first book to another radio show, The Cool & the Crazy,<\/em> a popular feature on NPR\u00e2\u20ac\u2122s KCRW-FM from 1984 to 1987, contributed columns to Oui<\/em> magazine and the Los Angeles Herald-Examiner,<\/em> and worked on pioneering interactive-CD programming for Time Warner. He got religion in \u00e2\u20ac\u212291, via \u00e2\u20ac\u0153the Bible of the music industry.\u00e2\u20ac\u009d From \u00e2\u20ac\u212291 to 2003, he served as Billboard<\/em> magazine\u00e2\u20ac\u2122s Director of Special Issues, responsible for producing some 80 editorial packages and advertising supplements annually. Among the latter, he created sections to promote Elton John, Berry Gordy, Lucent Technologies, Ray Charles, the Putumayo clothing line, Tim McGraw, Snoop Dogg and Spinal Tap. Another decade, another book package: Too Cool <\/em>(St. Martin\u00e2\u20ac\u2122s, 1993). Sculatti has most recently been involved in compiling playlists for the iTunes Music Store, assembling albums for Time-Life Music and serving as Contributing Editor to the site SonicBoomers.com. From 2006 to 2008, he served on a \u00e2\u20ac\u0153coaches panel\u00e2\u20ac\u009d for USA Today, which weekly advised American Idol<\/em> finalists on the do\u00e2\u20ac\u2122s and don\u00e2\u20ac\u2122ts of competing. With LAVA founder Kim Cooper, he co-hosts Where The Action Was<\/a>, Esotouric’s occasional rock and roll history tour. Check out the archival site for his Catalog of Cool online<\/a>. Since 2008, he has hosted (as “Vic Tripp”) the weekly radio program Atomic Cocktail<\/em>, descrbed as “a kind of post-modern, pre-sensitive valentine to Top 40 radio and pop music,” Thursdays, 5-6 pm PST, at www.luxuriamusic.com<\/a>.<\/p>\n

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His ticket to ride was music. Even before he went South in the mid-\u00e2\u20ac\u212270s, Gene Sculatti was a Rolling Stone writer and weekly music columnist for the Sacramento Bee. In Los Angeles, his interest in the workings of popular culture led to a variety of positions and assignments. Following his tenure as the first editor […]<\/p>\n","protected":false},"author":55,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts\/73"}],"collection":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/users\/55"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/comments?post=73"}],"version-history":[{"count":0,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts\/73\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/media?parent=73"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/categories?post=73"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/tags?post=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}