Los Angeles Neon.<\/em><\/a> His forthcoming projects include a book on the American mortuary, and something involving all those postcards he\u00e2\u20ac\u2122s collected. GORDON PATTISON is a third generation resident of the lost downtown neighborhood of Bunker Hill. His family\u00e2\u20ac\u2122s iconic mansions, The Salt Box and The Castle, were the last two Victorian properties left standing after the Community Redevelopment Agency seized the hill and evicted 9000 people in the largest eminent domain action in American history. The Salt Box and The Castle were recognized as landmarks and moved to Heritage Square, where they were promptly consumed in a fire set by vagrants. With his wife Kim Cooper, RICHARD SCHAVE runs the eclectic tour company Esotouric, offering bus adventures into the secret heart of Los Angeles that celebrate writers (Raymond Chandler, James M. Cain, Charles Bukowski, John Fante), architecture, true crime and Southland spirituality. He is host of the quarterly LAVA literary Salon at Musso & Frank, leader of LAVA\u00e2\u20ac\u2122s Flaneur & The City series of free downtown walking tours, and a stalwart preservation advocate.<\/p>\nABOUT BUNKER HILL, the ON BUNKER HILL blog and GEORGE MANN:<\/p>\n
Bunker Hill in the 1870s was early Los Angeles\u00e2\u20ac\u2122 most distinguished address, an enclave of grand Victorians, gorgeous gardens and clear-skied views out to Catalina and beyond. By the 1910s the wealthy had moved on, and the Hill\u00e2\u20ac\u2122s mansions became rooming houses. Up on the Hill, life moved at a different pace. Writers Raymond Chandler, John Fante and Charles Bukowski came and were captivated by the place. Painters Leo Politi, Kay Martin and Millard Sheets made its rotting hotels and sad-eyed residents the subject of their art. And down at City Hall, planners schemed about how Bunker Hill could be declared a slum, its old houses pulled down, its people moved along, leaving a blank slate where skyscrapers could grow. By 1970, Bunker Hill was a field of dirt. In 2008, the time travel bloggers of 1947project.com turned their attention to Bunker Hill. Over a year, the blog grew into a house-by-house survey of the great old downtown residential neighborhood that was demolished to create the high rise district that shares its name, but none of its charms. The blog\u00e2\u20ac\u2122s contributors, including authors, historians, librarians and tour guides, delved deep into historic archives to uncover the most fascinating tales of more than a century of life on Bunker Hill. 1947project is the brainchild of Kim Cooper, pop music historian (\u00e2\u20ac\u0153Bubblegum Music is the Naked Truth\u00e2\u20ac\u009d), tour guide (Esotouric bus adventures) and preservation activist (Save the 76 Ball). She was joined ON BUNKER HILL by author Nathan Marsak, LAPL history librarian Mary McCoy, Esotouric\u00e2\u20ac\u2122s Joan Renner, LAPL Acting Senior Librarian \u00e2\u20ac\u201c Photo Collection Christina Rice, Esotouric\u00e2\u20ac\u2122s Richard Schave and author John Toomey.<\/p>\n
George Mann\u00e2\u20ac\u2122s Los Angeles photos were discovered in his archives by daughter-in-law Dianne Woods in 2010. While researching the images, she found the On Bunker Hill blog, and offered to let the blog feature Mann\u00e2\u20ac\u2122s Bunker Hill images, online and in archival prints for sale. Since then, Mann\u00e2\u20ac\u2122s family has also shared with On Bunker Hill some of the short films he made featuring fellow Vaudevillians like The Three Stooges and W.C. Fields, and dozens of photos of landmark Los Angeles restaurants.<\/p>\n
Born in Santa Monica in 1905, by his early 20s George Mann was a vaudeville star as the hilariously taller half of the comedy dance team Barto & Mann. Of their east coast debut, \u00e2\u20ac\u0153Zit\u00e2\u20ac\u2122s Theatrical Newspaper\u00e2\u20ac\u009d raved \u00e2\u20ac\u0153Ten minutes before they went on at the Palace last Monday afternoon nobody thought very much about Barto & Mann; ten minutes after they came off stage, the whole Broadway world was talking about them.\u00e2\u20ac\u009d As Vaudeville faded, Barto & Mann joined the Broadway cast of \u00e2\u20ac\u0153Hellzapoppin\u00e2\u20ac\u009d with featured billing from 1938 through 1942. The team split up in December 1943.<\/p>\n
In his post-performance life, George Mann turned his imagination to entrepreneurial enterprise and professional photography, which brought him to Bunker Hill. In the late 1950s, when the neighborhood\u00e2\u20ac\u2122s days were known to be numbered, he arrived atop the peak with his camera to document some representative scenes, returning in November 1962 for additional shots. These long forgotten color images of old Bunker Hill were originally displayed in 3-D viewers of Mann\u00e2\u20ac\u2122s own design, which were leased to various Los Angeles restaurants, bars and doctor\u00e2\u20ac\u2122s offices. Mann would swap out the photo selection every two weeks, so if these evocative scenes of Bunker Hill weren\u00e2\u20ac\u2122t available, one might peep at Calico Ghost Town, Catalina Island, Descanso Gardens, Disneyland, Knott\u00e2\u20ac\u2122s Berry Farm, Pacific Ocean Park, Watts Towers or Palm Springs.<\/p>\n
In his Bunker Hill set, created to distract anxious patients and hungry tourists, George Mann captured a seldom seen side of this lost Los Angeles neighborhood: the gracious avenues and genteel decay, the old people, their cats and their gardens, abandoned newspapers, vacant lots, the shadows and the sunlight. We are in his debt.<\/p>\n
To see George Mann\u00e2\u20ac\u2122s rediscovered Los Angeles photographs and learn about his fascinating career that took him and his diminutive sidekick Dewey Barto (real-life pop of TV\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Rhoda\u00e2\u20ac\u2122s\u00e2\u20ac\u009d mom Nancy Walker) from the stages of west coast vaudeville to the Great White Way, visit all the On Bunker Hill blog\u00e2\u20ac\u2122s George Mann pages at http:\/\/onbunkerhill.org\/taxonomy\/term\/507<\/p>\n
See Barto & Mann dancing<\/a> in \u00e2\u20ac\u0153Broadway Through A Keyhole\u00e2\u20ac\u009d (1933)<\/p>\nNote: we regret that Dianne Woods, previously announced as a speaker, will not be able to join us tonight.<\/em><\/p>\n\n <\/div>\n\n","protected":false},"excerpt":{"rendered":"
LAVA \u00e2\u20ac\u201c The Los Angeles Visionaries Association and the On Bunker Hill time travel blog in association with the Los Angeles Public Library Photo Collection and Photo Friends present George Mann\u00e2\u20ac\u2122s Lost Los Angeles, a celebration of a newly-discovered treasure trove of mid-century photographs captured by the one-time Vaudeville dance sensation, and projected for the […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,7,55,13,14,15,22,24],"tags":[],"_links":{"self":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts\/802"}],"collection":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/comments?post=802"}],"version-history":[{"count":0,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/posts\/802\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/media?parent=802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/categories?post=802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lavatransforms.local\/wp-json\/wp\/v2\/tags?post=802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}